Archive for March, 2009

Hayley Westenra’s “Treasure”

Posted in Hayley Westenra, Music with tags , , , , , , , , , , , , on 26 March, 2009 by Nicola

I cannot even begin to describe the amount of sweat and tears that went into trying to understand this album.  The amount of effort I put into this CD to try and like it.  I was waiting for some miracle, some revelation to appear out of thin air, as to why this album tends to be a favourite among Hayley Westenra fans.  Why it is so highly esteemed, why it is the pivot of discussion.  I am not so lucky this time.  I have failed.  I officially don’t get it.

Let me start with the postives.  I do enjoy two songs on this album and tellingly they are two songs that are co-written by Westenra herself.  ‘Let Me Lie’ and ‘Summer Rain’ are clear standout tracks from what is otherwise a highly predictable album. Continue reading

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Hayley Westenra’s “Prayer”

Posted in Hayley Westenra, Music with tags , , , , , , , , , , , , , , , , , , , , on 24 March, 2009 by Nicola

I am going to take a wild stab in the dark here and guess that no matter what type of music you listen to, that most Eastern country, Japan, has laughed in your face before when they received the coolest edition of that coolest album by the coolest artist.  Damn them.  Us Westerners are never content with our 12 track albums, we want the four bonus track edition that Japan or Taiwan have.  All the more reason to hop over CDJapan and make an account.  This beautiful album, Prayer, released only for the Japanese market is no exception.  It’s actually a goldmine what mouth-watering tracks for any Hayley Westenra fan.

This album basically has lots of tracks recorded by Westenra that are otherwise scattered all over the place.  To put this into perspective, if you want to buy all of these tracks without buying this album, you will have to buy up to twelve albums to make up the tracklisting.  You see how awesome this album is now?  Continue reading

Hayley Westenra’s “Odyssey”

Posted in Hayley Westenra, Music with tags , , , , , , , , , , , , on 23 March, 2009 by Nicola

I have been putting off writing this review for a very long time.  Why?  The simple truth is that I could not quite decide how to review this album.  At first, I was quite content to review the first edition of Odyssey that I obtained, the one I know really well, but just out of curiousity, I picked the later edition up, the UK special edition, to see what the difference was.  I was struck stupid to realise that there’s a ten track difference.  You read that correctly. 

‘Well’, I thought, ‘this is stupid’.  Maybe I was too busy staring at paint and watching the sun rise and set to notice any commotion over at ‘TEAM HAYLEY WESTENRA‘ (i.e. the ever trustworthy HWI who have since told me that my original edition was never a UK edition) over this confusing blip in her discography, but I am on my own here, and I don’t quite know what to make of it.  It’s like I have had this hidden second album all this time without even realising it.  I don’t even know why I bought it, especially as I am quite strongly of the ‘SCREW YOUR MANY EDITIONS OF THE SAME ALBUM’ sentiment.

Okay, so if I could only let go of the fact that I basically have two different albums here under the same name, I could actually discuss the album(s). Continue reading

Michael Ball’s “Centre Stage”

Posted in Michael Ball, Music with tags , , , , , , , , , on 1 March, 2009 by Nicola

I do get tired of Michael Ball‘s albums. He basically spews out about three a year with the same songs over and over.  Especially from musicals, as he is a West End star and acts as such in the recording studio, never making any real concept albums.

To discuss Ball’s vocals is a bit of a moot point.  He’s a baritone.  He belts. He’s powerful.  He’s emotive. He’s over the top. You can pilot a plane through his vibrato, and so on.  He is very pleasent to listen to, has a beautiful tone and thus the material he records verges on tragic as it’s such a waste of a huge talent.  But there you are.  This is what we get from Michael Ball, and we have to make the most of it. Continue reading